Well after a weekend where I thought I may have a problem with the weather and possibly find myself snowed in, the result of my travels to the events I was drawing at were good with very little disruption. The roads were clear apart from the minor back streets and the drive way to the hotel where I was drawing last night and apart from some skidding in the snow on the way out of the drive way, I managed to drive home safe and sound.
The two events I attended this past weekend were a 40th Birthday party and a Wedding. I am pleased to say that at both events I proved to be very popular and was able to draw a lot of the guests. It always feel good when you know that people really like what you draw and actually appreciate the skill involved in creating caricatures.
As I was drawing over the weekend I found myself asking the question, "how do I do this?". This may seem odd but I am asked this a lot and other artists and students who are starting out show an interest in how I approach the subject of drawing the human face.
Well I really do not think of myself as an expert as there are many other artists out there who are far better at drawing the face then myself and I respect and admire them greatly.
But I do have a lot of experience as on average I draw around 8000 faces every year.
So here is a brief description of what happens when someone sites for me.
As soon as I look at the face I am to draw I immediately pick out key points of the face that show overall shape and relationships between certain elements, like the nose and mouth.
What I am doing is looking to see what parts are small and what parts are large and what if any are odd in their shape. I then look to see them in a relationship together, so if the person has a long nose, I look to see if they have big ears and a long chin as well. This all happens instantly for me and has developed over some years.
how I leant about this process was by attending the
ISCA annual conventions and sitting in on seminars on how to draw and look for caricature in the human face. My good friend Dion Socia has given a few seminars on this topic of approaching the challenge of 'seeing' the caricature in the face and I have leant a lot from him.
As I go through this process which takes no more than one second, I then imagine I can see what I want to draw on the actual face of the person in front of me, as if I have a blueprint overlaid on their face.
This then confirms to me what I wan to draw and then next challenge is to transfer that to the paper.
This is why when I am drawing someone, I spend the majority of my drawing time looking at the paper and what I am drawing. I have committed to my memory the caricature and only need to look at the person's face for quick reference but that is still important. I could not look at someone and then draw them without them sitting in front of me. I still need them there so I have my reference to work from.
I hope that makes sense!
What keeps it all fresh for me is my desire to constantly improve and get better as an artist and my goal each time I am out drawing at an event is to nail the likeness of every person I am drawing.
Last night I overhead someone talking about one of the caricatures I had just drawn. What they said was probably one of the best compliments a caricaturist can receive.
This is what they said as they looked at the caricature of their friend and then spoke to the friend:
"That is exactly what I see when I look at you!"
When I heard them saying this behind me I was very happy and smiled to myself. That meant so much to me as it sums up what I am trying to achieve. It is not just about a drawing that makes someone look funny, no, it is about the likeness and representation of art in this cartoon format we call caricature. It is meant to show that great skill and many hours of practice have gone towards allowing the artist to arrive at a point where they are creating art that is admired and enjoyed, in other words it is about the line work.
I love art and always have ever since I was a small child. I am very fortunate that I can draw. I cherish my skill to be able to draw and absolutely the fact that I can make my living from drawing. The joy and satisfaction is when others who are being drawn and also those who want to watch me draw, enjoy, appreciate and just love what I draw for them.
I hope I can become a much better artist and always have the hunger inside to push myself on towards that goal.